Decisive · Post-Rock, Psych & Now

IDLES

Bristol post-punk/hardcore band formed in 2009. Brutalism (2017) and Joy as an Act of Resistance (2018, Partisan) put Joe Talbot’s shouted political lyrics over dry, heavy rhythm sections on late-2010s festival bills.

Idles at Southside Festival, 2022
Mr. RossiCC BY-SA 4.0Source →

Landmark

Danny Nedelko · 2018

Immigrant-themed single; clearest political statement of the Joy era.

Opened

Post-punk with short songs, gang vocals, and direct social lyric.

01 / 06

Political post-punk for 2010s festivals

IDLES write post-punk that names Brexit-era Britain in plain speech—Talbot’s shouted lyrics over dry, heavy rhythm sections. Brutalism (2017) and Joy as an Act of Resistance (2018) landed as UK guitar bands returned to festival stages. Songs stay short, with hardcore drum feel and gang vocals. Never Fight a Man With a Perm is the usual live citation.

Idles at Glastonbury Festival Truth Stage, 2019
SimoncromptonreidCC BY-SA 4.0

02 / 06

Five-piece from 2012

2009 founding core: Talbot, Bowen, Devonshire. Kiernan and Beavis join in 2012—the five stay through Ultra Mono (2020). Dual guitar, no dedicated keyboard; bass and drums carry the groove. Bowen also produces: dry mixes, forward vocal, little reverb wash. Live shows center Talbot’s physical presence and call-and-response with crowds.

03 / 06

Post-punk renewal without nostalgia costume

IDLES cite Joy Division and Talking Heads for bass-forward writing, dry vocal, and short song length, while avoiding 1970s costume revival. 2018–20 festival adoption spread chant-riff writing to younger UK guitar bands. Lyrics about class and toxic masculinity mark them against revival peers. Citation peaks on live sets plus the two Partisan albums.

04 / 06

Never Fight a Man With a Perm

Chant-riff and gang-vocal live staple; hardcore-adjacent drums.

05 / 06

Mother

Slow-build bass into Talbot bark; class and masculinity lyric direct.

06 / 06

Model Village

Ultra Mono era: dry mix, dual-guitar scrape, festival singalong.

Idles at Glastonbury Festival Truth Stage, 2019

01 / 06

Political post-punk for 2010s festivals

Bristol post-punk/hardcore band formed in 2009. Brutalism (2017) and Joy as an Act of Resistance (2018, Partisan) put Joe Talbot’s shouted political lyrics over dry, heavy rhythm sections on late-2010s festival bills.

Lineup versions

  • Joy as an Act of Resistance five

    Peak

    2015–

    Bristol post-punk; shouted vocals over tight riffs.

    • Joe TalbotVocals
    • Mark BowenGuitar
    • Lee KiernanGuitar
    • Adam DevonshireBass
    • Jon BeavisDrums

Quotes

  • “Vulnerability is not weakness. It's the point of the song.”

    — Joe Talbot, 2018 · Press interview excerpt

  • “We play hard so the soft lines land.”

    — Mark Bowen, 2019 · Archive interview excerpt

Scenes

YearTrackOn stageTags
2018Never Fight a Man With a PermChant-riff and gang-vocal live staple; hardcore-adjacent drums.Joe Talbot, Mark Bowen, Lee Kiernan, Adam Devonshire, Jon Beavis
2018MotherSlow-build bass into Talbot bark; class and masculinity lyric direct.Joe Talbot, Mark Bowen, Lee Kiernan, Adam Devonshire, Jon Beavis
2020Model VillageUltra Mono era: dry mix, dual-guitar scrape, festival singalong.Joe Talbot, Mark Bowen, Lee Kiernan, Adam Devonshire, Jon Beavis

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